There are Beatles songs more popular than “There’s A Place,” including the twenty-seven that topped the charts in both the United Kingdom and United States.
But I find myself equally drawn to the second-to-last song on their debut UK album, Please Please Me, which was recorded 52 years ago today. “There’s A Place,” which I didn’t discover until the mid-1970s, is 109 seconds of Beatles brilliance.
I wasn’t one of the 73 million who watched the historic Ed Sullivan performance on February 9, 1964, two days before my fourth birthday. But soon enough, Beatlemania would sweep me up, too.
The following Christmas Eve, my brother Rob and I listened to Meet The Beatles while waiting for our family to have dinner with my grandfather. “Where’s the Christmas music?” he asked. “Papa, it’s the BEATLES!” we said. Our tone suggested that the thought of listening to anything else – even a yuletide chart-topper like “Silent Night” on December 24th – was absurd. Papa dragged on his cigar and walked away.
In the summer of 1965, at the start of a family vacation, my mom gave Rob and me each our $1 allowance. “That’s for the week,” she said. “Make it last.” Later that day, Rob spent all his cash all at once – ten packs of Beatles cards at 10¢ apiece. I hedged and bought five packs. Rob still has his cards stashed away in a shoe box somewhere. Turns out they were a good investment. Just look up Beatles cards on eBay.
Such were the ripples of Beatlemania. And then there was the music itself.
When you look up “rock and roll” in an online dictionary, the definition should be an audio file of the Beatles ripping through “Twist and Shout.” It was the last song the group recorded in its one-day Please Please Me session – by design, according to producer George Martin. He knew the performance would take its toll on John Lennon’s voice. Whenever I listen to “Twist and Shout,” I think of Nigel Tufnel in This Is Spinal Tap: THIS ONE GOES TO ELEVEN!
The first song the Beatles recorded for Please Please Me was “There’s A Place.” It has that classic early Beatles sound: the two-part harmony (Lennon low, McCartney high), the three guitars, the sweet bridge, the rumble of Ringo’s drums throughout.
But it’s the lyric that truly distinguishes the song. While the group’s eventual breakthrough hit in America would concern itself with wanting to hold hands, “There’s A Place” is more cerebral. It discusses longing to escape to a place where there is “no sorrow, no sad tomorrow.” The persona in the song finds that place in his mind, as he thinks of the girl who said to him “I love only you.” Hello, adolescence.
Two final notes on “There’s A Place” make me like the song even more. First, McCartney and Lennon were inspired by “Somewhere” from West Side Story, which was written by Leonard Bernstein (music) and Stephen Sondheim (lyric). The song opens: “There’s a place for us, somewhere a place for us…” My dad loved Sondheim, and he and I spent many Sunday mornings listening to the composer’s musicals over coffee. The connection between “There’s A Place” and “Somewhere” was a sweet revelation.
Finally, it pleases me that the Beatles recorded “There’s A Place” on my birthday fifty-two years ago today. It remains a gift of pop perfection.